Everyday Advocacy

My last blog post focused on the “doom and gloom” of the impending dismantling of the National Endowment for the Arts. But I am not a doom and gloom person. I refuse to be. I believe in optimism, in faith, and in the power of community to overcome. So in this post, I offer some optimism – or at least, some ways to affect positive change. At the end of the day, we are responsible for our community. The future of the arts lies with those who practice them and know their power, and I for one am ready to defend and protect them. At a recent meeting of the Arizona Dance Coalition, I was inspired to focus on local, grassroots advocacy to protect and preserve my dance community. I invite you to join me in the following:

1.) Join your local, state, and national Dance and Arts Service Organizations: Chances are your city or state has a non-profit membership organization for dance, dance education, or the arts in general. There are also national organizations like Dance/U.S.A, Americans for the Arts, and the National Dance Education Organization (full disclosure: I work for NDEO and am a long time, hard core fan girl). These organizations all offer individual member benefits, but the most important reason to join is that there is strength in numbers. Your Dance Service Organization (DSO) is your representative in governmental and civic affairs. When you join a DSO, you align yourself with like-minded people who believe in the power and importance of dance in a civil, vibrant society. The organization can then go to Congress, or the state government, or your local city council and say, “Look at how many people believe in this. We are taking a stand, together, in support of the arts. Pay attention to us, because we are working together for our cause!” The membership dues help support advocacy efforts, marketing and publicity for the cause, and community engagement – in addition to nifty member benefits, which often include professional development, networking, research, etc. If you want help finding your local or state DSO, please comment on this article. I am happy to help!

2.) See a dance concert, take a class, go to a social dance, etc.: I have to admit that I am the worst at this! I try to take class regularly, but I can be much better about attending performances. My husband and I keep a really strict budget, especially for entertainment. (Thanks, student loans!) Going to the theatre sometimes feels like a luxury we can’t afford. BUT, I am trying to change my thinking about that. Rather than thinking about a ticket to a dance concert as a treat for myself (which obviously it is!), I am trying to think of it as an investment in my dance community. I am supporting a cause I hold dear: The creation and sharing of dance work. The only way we can expect the general public to attend and support concert dance is to make a commitment to seeing it ourselves.

3.) Support dance journalism: One of our biggest laments in the dance community is that the media does not cover enough dance. It’s hard to promote your event to the general public if it is not being covered by the local media. However, how many of us take the time to read and engage with the dance media that is published? This fact was pointed out to me at the recent ADC meeting, and it really hit home. I’ve been trying to read and comment on as many dance articles (reviews, previews, features, etc.) in local and national publications as possible. This is another area in which we have to set the example – we can’t expect the general public (and therefore the editors) to care if we do not! Read, comment, and share as many articles as you can so that the publication’s staff knows that we care about dance journalism!

4.) Write, call, or visit your elected officials: Ok, another one I’m terrible at. I hate, hate, hate confrontation. I also hate talking to almost anyone on the phone. BUT, this is important. We need to make our voices heard in support of the arts. Tweet, email, leave a voicemail, call, send a letter, sign a petition, schedule an appointment – but get in touch with the people who make the decision. Make your voice heard!

5.) Continue to educate yourself, and stand up for arts education for all: A little education can be a dangerously powerful thing! Commit yourself to furthering your education, formally and informally. Not only will further education help inspire and inform your work, but you will be better able to speak up on behalf of the arts. Your DSO should be able to offer professional development opportunities (and maybe even scholarships!). But don’t feel compelled to stick to your comfort zone: studying a different art form, or philosophy, literature, public policy, or whatever you choose to get into can greatly influence your personal creative practice and help you speak up for the arts in new ways.

6.) Speak your truth with compassion: One of the biggest “selling points” of the arts is their capacity to foster empathy and compassion in their practitioners. In all things, we must practice these virtues. As Martin Luther King Jr., said “Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.” Let’s fight like hell, but let respect, tolerance, and peace be our calling cards in all our conversation as artists.

7.) Make friends: Let’s not lie; it can be competitive being an artist. There are limited opportunities, limited funds, limited audience members. We all want a piece of the pie, and if we are being totally honest we all want our egos validated. But again, there is strength in numbers. Make it a point to meet your fellow practitioners, and support them wholeheartedly. Take classes together, see shows, go to fundraisers, join Facebook groups. Make opportunities for one another, and take opportunities when offered to you. Get to know and love your local dance community.

8.) Make your art, unapologetically, fearlessly, and with great love: Enough said. There is room for all of us here. Take a class, do a painting, join the church choir, make a dance in your living room. Whatever it takes. Let’s get to work.

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