On New Year’s Eve 2016, I set a goal of getting back into the studio on a regular basis, and ultimately back on stage. I got to work, taking ballet and modern classes, making connections with local dance companies, and reviving a duet for a performance in March 2017. Little did I know that two … More #TheMondayMessage: Celebrate Your Evolution!
This is the first in a series of posts on building empowered dancers in the ballet studio. You can read the continuation of this series by checking out Part 2 and Part 3. What is an empowered dancer? In my opinion, students who are empowered are: Self-aware and self-reliant (physically, cognitively, and emotionally) Confident and able … More Empowering Our Ballet Students, Part 1
The beginning of a new dance, for me, is always a little bittersweet. There is lots of joy, for being able to do what I love, and bring ideas and emotions to life in a meaningful way. There is also gratitude, for the healthy body and mind that allow me to live a creative life, … More Does the world really need my choreography?
For a little while now I’ve been questioning why I do what I do for a living. The doubt is actually a huge part of the reason I haven’t been writing much lately. I’ve been doing a lot of reflection, but not the kind that is easy (or pleasant) to put on paper (or screen). … More At times like these, Why Dance?
The holidays are, if nothing else, an excellent chance to practice your small talk. At annual get togethers with friends, family, family friends, and the like, the usual opening question goes something like, “So….How’ve you been?” Not a terribly original questions, and not one that is particularly easy to answer casually over cocktails, either. There … More The Year I Stop Glorifying Busy
Several months ago, I heard two interesting reports from NPR’s Planet Money team that focused on college majors and jobs – why people decide to pursue particular tracks of study and the careers they hold as a result As might be expected from a program entitled “Planet Money,” both of the these reports focused heavily … More In Defense of the Dance Major
This video has been circulating on the web, and I’ve got a problem with it. On Facebook and other sites, the little ballerina is lauded for her technical skill and ability at such a young age. However, there are some serious issues at play in this little girl’s training, in my opinion at least. … More Are We Training Away Our Art Form?
For most of my career I have avoided solo work. I hated doing my own choreography, largely because it made me feel too vulnerable. My dances are personal, and I have always loved having the choreographic process as an artistic outlet through which I can express secret desires, heartaches, and anxieties. However, I always relied … More Not Alone: Vulnerability and the Collaborative Solo
Back in May, I was sitting in my office at the University of Maryland College Park talking with my friend and fellow dancer Elizabeth Barton. We had recently finished our first choreographic collaboration, a piece called Altared that had premiered at the Clarice Smith Performing Arts Center. Eager to get to work on our next project, … More Choreography: The Arts of Bringing an Idea to Life
My favorite times are the ones spent by the sea. Beach life is full of simple sweet pleasures: early morning walks by the ocean, jersey peaches fresh from the farmer’s market, big belly laughs over board games and terrible jokes, and luxuriating in the salt air on the porch at night. I have known since … More Summering and Simmering: 10 Rules for Creativity, inspired by the sea